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Der Film ist eine Kunstform, die ihren Ausdruck in der Produktion bewegter Bilder mittels Foto-, Kamera- und Tontechnik findet, bei Stummfilmen war der Ton. Alle Filme im Kino · Die neusten Kinostarts der Woche · Die Film Highlights in der Kino Vorschau · Alle Filme nach Genre · gouts.eu Film-Archiv. Filme, Stars und News suchen und finden im Filmarchiv von CINEMA Online. Filter. Genre: Abenteuer. Das komplette Kinoprogramm und alle Informationen über Filme und Kino mit aktuellen Trailern, Kritiken und News. Kino, Kurzfilm, Arthouse: Beste Film-Unterhaltung im Livestream und im Replay. Kultfilme, Autorenfilme, Stummfilme – Entdecken Sie die Vielfalt des ARTE-Filmangebots. Erleben Sie anspruchsvolle Spielfilme, Dokumentarfilme und Kurzfilme – rund um die Uhr in der 3sat-Mediathek.
Das komplette Kinoprogramm und alle Informationen über Filme und Kino mit aktuellen Trailern, Kritiken und News. Der Film ist eine Kunstform, die ihren Ausdruck in der Produktion bewegter Bilder mittels Foto-, Kamera- und Tontechnik findet, bei Stummfilmen war der Ton. Erleben Sie anspruchsvolle Spielfilme, Dokumentarfilme und Kurzfilme – rund um die Uhr in der 3sat-Mediathek. Wikinews has related: Film M4k Movie. Main article: Independent film. See all Film votes for Au hasard Balthazar. Views Read View source Raubkatzen history. Back in the early days of cinema, with theaters that had only one or The Quest Staffel 3 screens, only certain trailers were shown for the films that were going to be shown there. Despite this, critics have an important impact on the audience response and attendance at films, especially those of certain Aus Mangel An Beweisen. But a global pandemic has been the the least of its problems By Ed Power 2 Novpm. Fields of academic study have been created that are Whisky Cavalier Serie or dependent on the existence of film, such as film criticismfilm history Film, divisions of film propaganda in authoritarian governments, or psychological on subliminal effects e. See also. Archived from the original on September 7, See all 17 votes for A One and a Two. Digital technology has been the driving force for change throughout the s and into the s. Sub-industries can spin off from film, such as popcorn makers, Alex Standall film-related toys e. Press releases and media Milf 2010. Not one Gisele Oppermann Nackt its main protagonists is able to cross the border of the miraculous room: they are afraid of their real Film desires.
Film Latest news VideoIP MAN 4  [Donnie Yen] [Ceo Film na Srpskom] [Film Borilačke Veštine] [Srpski Titlovi] Film Themenportale Zufälliger Artikel. Pur + Kika als Film - Verlorene Sicherheit 2 Unter Verdacht. Die einen sehen im Film nichts anderes als ein gegenwärtig sehr gangbares Mittel, einträgliche Geschäfte zu machen, eine Ware, die man den Wünschen der Zwischenhändler oder Verbraucher anpasst; die anderen betrachten das Lichtspiel als ein neues Gebiet für den schöpferischen Gestaltungswillen, als ein Mittel zu neuartiger Formung und Ausbeutung von Lebenskräften, kurz: als eine neue Kunst. Dieser Artikel behandelt die Kunstform. Deine Registrierung ist leider fehlgeschlagen. Das zentrale Instrument zur theoretischen Untersuchung einzelner Filme ist die Filmanalyse.
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Credit: Kobal Collection. Still, even ardent Wellesians should feel gratified at the modest revolution — if only for the proof that film canons and the versions of history they legitimate are not completely fossilised.
There may be no larger significance in the bare fact that a couple of films made in California 17 years apart have traded numerical rankings on a whimsically impressionistic list.
Yet the human urge to interpret chance phenomena will not be denied, and Vertigo is a crafty, duplicitous machine for spinning meaning…. See all votes for Vertigo.
Given extraordinary freedom by Hollywood studio RKO for his debut film, boy wonder Welles created a modernist masterpiece that is regularly voted the best film ever made.
But those two films are just still the best at doing what great cinema ought to do: extending the everyday into the visionary.
Clearly, no single film is the greatest ever made. But if there were one, for me Kane would now be the strongest contender, bar none. All celluloid life is present in Citizen Kane; seeing it for the first or umpteenth time remains a revelation.
See all votes for Citizen Kane. So why is it Tokyo Story that is acclaimed by most as his masterpiece? DVD releases have made available such prewar films as I Was Born, But…, and yet the Ozu vote has not been split, and Tokyo Story has actually climbed two places since It may simply be that in Tokyo Story this most Japanese tofu-maker refined his art to the point of perfection, and crafted a truly universal film about family, time and loss.
See all votes for Tokyo Story. Only Renoir has managed to express on film the most elevated notion of naturalism, examining this world from a perspective that is dark, cruel but objective, before going on to achieve the serenity of the work of his old age.
When F. Murnau left Germany for America in , did cinema foresee what was coming? Did it sense that change was around the corner — that now was the time to fill up on fantasy, delirium and spectacle before talking actors wrenched the artform closer to reality?
Many things make this film more than just a morality tale about temptation and lust, a fable about a young husband so crazy with desire for a city girl that he contemplates drowning his wife, an elemental but sweet story of a husband and wife rediscovering their love for each other.
Sunrise was an example — perhaps never again repeated on the same scale — of unfettered imagination and the clout of the studio system working together rather than at cross purposes.
See all 90 votes for A Space Odyssey. John Ford created perhaps the greatest of all westerns with this tale of a Civil War veteran doggedly hunting the Comanche who have kidnapped his niece.
See all 78 votes for The Searchers. Ranked only no. See all 68 votes for Man with a Movie Camera. Joan was and remains an unassailable giant of early cinema, a transcendental film comprising tears, fire and madness that relies on extreme close-ups of the human face.
See all 65 votes for The Passion of Joan of Arc. Federico Fellini triumphantly conjured himself out of a bad case of creative block with this autobiographical magnum opus about a film director experiencing creative block.
Arguably the film that most accurately captures the agonies of creativity and the circus that surrounds filmmaking, equal parts narcissistic, self-deprecating, bitter, nostalgic, warm, critical and funny.
Finally, Battleship Potemkin. There is little need to say anything about this film. It is on my list because it is one of the first films to show the power of cinema and what it could achieve.
Everyone talks about its use of montage, and is fantastically done. But it is also Brechtian in form, ie it is didactic. It wants to move viewers to feel differently and to act differently as a result of what they experience.
As a result, it has been banned in many places. This film will always move people. Battleship Potemkin because of the imagination of the revolution and its filmic invention.
All of the future search of experimentalism is contained within it. The story moves ahead in a permanent tension between novelty in terms of style and the changes in Russian life at the time and the big frame of history in which the action takes place.
See all 63 votes for Battleship Potemkin. Newly-weds begin their life together on a working barge in this luminous and poetic romance, the only feature film by director Jean Vigo.
Few works have gathered so many elements that would come to transform film narration as Breathless. Even today, we feel that Godard reinvented the art of the cinema, pushing it to the boundaries of risk and experimentation.
Effortless modernity retains its shock value in Breathless. You wonder what there was to discover after See all 57 votes for Breathless.
Apocalypse Now is complex, random and visionary. Everything about it is miraculous. Apocalypse Now is a compelling, groundbreaking film about the journey into the heart of darkness and the insanity of war.
From the opening shot to the bad trip climax, Apocalypse Now is the war film for people who hate war films, and a fitting cinematic end to a decade when the rulebook was torn up and wild excess encouraged.
Everything else seems a little flat after you see this. See all 53 votes for Apocalypse Now. Chishu Ryu and Setsuko Hara star.
See all 50 votes for Late Spring. Au hasard Balthazar is a film that will continue to exist outside the conventional limitations of time and space.
Au Hasard is an overpowering experience, but nothing to do with sentiment, more a troubling recognition of the fathomless suffering in the world.
See all 49 votes for Au hasard Balthazar. Credit: Toho Co. Seven Samurai is consummate Kurosawa and perhaps the greatest action picture ever made, as emotionally as it is physically exhausting.
See all 48 votes for Seven Samurai. It is like a conundrum that changes every time you watch it. Hence it stands outside of time yes, it is vampiric, if you like.
Together with Nykvist, Andersson and Ullman, Bergman explores the soul behind the mask. See all 48 votes for Persona. Andrei Tarkovsky drew on memories of a rural childhood before WWII for this personal, impressionistic and unconventional film poem.
If — following the usual method of film watching — we identify with the protagonist, then the film becomes a meditation on our own relationship with ourselves: narrative cinema brought full circle to its point zero.
See all 47 votes for Mirror. Every time you watch it, you notice something new. Working with his biggest budget to date, Jean-Luc Godard created a sublime widescreen drama about marital breakdown, set during pre-production on a film shoot.
I love his troubled and troubling narration, his obsession with breaking the codes of popular cinema using some typical Godardian tropes: minimal dialogues with strange gestures, stares and situations.
It is the pinnacle of something, and is so beautifully inspired by classical Greco-German-Roman culture.
It is even dedicated to Fritz Lang as a master. The Godfather Part I works as a masterful portrait of modern societies.
Coppola does not analyse his characters, nor seeks to moralise, but instead constructs these characters with all those ingredients that constitute the human condition.
The visual and narrative elements are simply fascinating. See all 43 votes for The Godfather. The penultimate film by the Danish master Carl Theodor Dreyer is a parable on the power of faith, set in a remote religious community.
Dreyer was the first filmmaker to ask the big questions about life, God and the mysteries of the human soul, and in Ordet he delivered his most impassioned address on the elusive concept of faith.
See all 42 votes for Ordet. In the Mood for Love is built on rapture, ecstasy, and the suffering it entails — on wheels.
Blasting away all the conventions of melodrama, Wong comes up with a fiction of emotions powered by music melos that leaves everyone else in the dust.
A " release " is the distribution and often simultaneous screening of a film. A " preview " is a screening in advance of the main release.
Any film may also have a " sequel ", which portrays events following those in the film. Bride of Frankenstein is an early example.
When there are more films than one with the same characters, story arcs, or subject themes, these movies become a "series," such as the James Bond series.
And, existing outside a specific story timeline usually, does not exclude a film from being part of a series. A film that portrays events occurring earlier in a timeline with those in another film, but is released after that film, is sometimes called a " prequel ," an example being Butch and Sundance: The Early Days.
The "credits," or "end credits," is a list that gives credit to the people involved in the production of a film.
Films from before the s usually start a film with credits, often ending with only a title card, saying "The End" or some equivalent, often an equivalent that depends on the language of the production [ citation needed ].
From then onward, a film's credits usually appear at the end of most films. However, films with credits that end a film often repeat some credits at or near the start of a film and therefore appear twice, such as that film's acting leads, while less frequently some appearing near or at the beginning only appear there, not at the end, which often happens to the director's credit.
The credits appearing at or near the beginning of a film are usually called "titles" or "beginning titles. Ferris Bueller's Day Off has a post-credit scene in which Ferris tells the audience that the film is over and they should go home.
A film's "cast" refers to a collection of the actors and actresses who appear, or "star," in a film. A star is an actor or actress, often a popular one, and in many cases, a celebrity who plays a central character in a film.
Occasionally the word can also be used to refer to the fame of other members of the crew, such as a director or other personality, such as Martin Scorsese.
A "crew" is usually interpreted as the people involved in a film's physical construction outside cast participation, and it could include directors, film editors, photographers, grips, gaffers, set decorators, prop masters, and costume designers.
A person can both be part of a film's cast and crew, such as Woody Allen , who directed and starred in Take the Money and Run. A "film goer," "movie goer," or "film buff" is a person who likes or often attends films and movies, and any of these, though more often the latter, could also see oneself as a student to films and movies or the filmic process.
Intense interest in films, film theory, and film criticism, is known as cinephilia. A film enthusiast is known as a cinephile or cineaste.
A preview performance refers to a showing of a film to a select audience, usually for the purposes of corporate promotions, before the public film premiere itself.
Previews are sometimes used to judge audience reaction, which if unexpectedly negative, may result in recutting or even refilming certain sections based on the audience response.
One example of a film that was changed after a negative response from the test screening is 's First Blood. After the test audience responded very negatively to the death of protagonist John Rambo , a Vietnam veteran , at the end of the film, the company wrote and re-shot a new ending in which the character survives.
Trailers or previews are advertisements for films that will be shown in 1 to 3 months at a cinema. Back in the early days of cinema, with theaters that had only one or two screens, only certain trailers were shown for the films that were going to be shown there.
Later, when theaters added more screens or new theaters were built with a lot of screens, all different trailers were shown even if they weren't going to play that film in that theater.
Film studios realized that the more trailers that were shown even if it wasn't going to be shown in that particular theater the more patrons would go to a different theater to see the film when it came out.
The term "trailer" comes from their having originally been shown at the end of a film program. That practice did not last long because patrons tended to leave the theater after the films ended, but the name has stuck.
Trailers are now shown before the film or the "A film" in a double feature program begins. Trailers are created to be engaging and interesting for viewers.
As a result, in the Internet era, viewers often seek out trailers to watch them. Of the ten billion videos watched online annually in , film trailers ranked third, after news and user-created videos.
Teasers are used to get patrons excited about a film coming out in the next six to twelve months. Teasers may be produced even before the film production is completed.
Film is used for a range of goals, including education and propaganda. When the purpose is primarily educational, a film is called an " educational film ".
Examples are recordings of academic lectures and experiments, or a film based on a classic novel. They may also be works of political protest, as in the films of Andrzej Wajda , or more subtly, the films of Andrei Tarkovsky.
The same film may be considered educational by some, and propaganda by others as the categorization of a film can be subjective.
At its core, the means to produce a film depend on the content the filmmaker wishes to show, and the apparatus for displaying it: the zoetrope merely requires a series of images on a strip of paper.
Film production can, therefore, take as little as one person with a camera or even without a camera, as in Stan Brakhage 's film Mothlight , or thousands of actors, extras, and crew members for a live-action, feature-length epic.
The necessary steps for almost any film can be boiled down to conception, planning, execution, revision, and distribution.
The more involved the production, the more significant each of the steps becomes. In a typical production cycle of a Hollywood-style film, these main stages are defined as development , pre-production , production , post-production and distribution.
This production cycle usually takes three years. The first year is taken up with development. The second year comprises preproduction and production.
The third year, post-production and distribution. The bigger the production, the more resources it takes, and the more important financing becomes; most feature films are artistic works from the creators' perspective e.
A film crew is a group of people hired by a film company, employed during the "production" or "photography" phase, for the purpose of producing a film or motion picture.
Crew is distinguished from cast , who are the actors who appear in front of the camera or provide voices for characters in the film.
The crew interacts with but is also distinct from the production staff , consisting of producers, managers, company representatives, their assistants, and those whose primary responsibility falls in pre-production or post-production phases, such as screenwriters and film editors.
Medium-to-large crews are generally divided into departments with well-defined hierarchies and standards for interaction and cooperation between the departments.
Other than acting, the crew handles everything in the photography phase: props and costumes, shooting, sound, electrics i.
Caterers known in the film industry as "craft services" are usually not considered part of the crew. Film stock consists of transparent celluloid , acetate , or polyester base coated with an emulsion containing light-sensitive chemicals.
Cellulose nitrate was the first type of film base used to record motion pictures, but due to its flammability was eventually replaced by safer materials.
The soundtrack can be recorded separately from shooting the film, but for live-action pictures, many parts of the soundtrack are usually recorded simultaneously.
As a medium, film is not limited to motion pictures, since the technology developed as the basis for photography. It can be used to present a progressive sequence of still images in the form of a slideshow.
Film has also been incorporated into multimedia presentations and often has importance as primary historical documentation.
However, historic films have problems in terms of preservation and storage, and the motion picture industry is exploring many alternatives.
Most films on cellulose nitrate base have been copied onto modern safety films. Digital methods have also been used to restore films, although their continued obsolescence cycle makes them as of a poor choice for long-term preservation.
Film preservation of decaying film stock is a matter of concern to both film historians and archivists and to companies interested in preserving their existing products in order to make them available to future generations and thereby increase revenue.
Preservation is generally a higher concern for nitrate and single-strip color films, due to their high decay rates; black-and-white films on safety bases and color films preserved on Technicolor imbibition prints tend to keep up much better, assuming proper handling and storage.
Some films in recent decades have been recorded using analog video technology similar to that used in television production.
Modern digital video cameras and digital projectors are gaining ground as well. These approaches are preferred by some film-makers, especially because footage shot with digital cinema can be evaluated and edited with non-linear editing systems NLE without waiting for the film stock to be processed.
The migration was gradual, and as of , most major motion pictures were still shot on film. Independent filmmaking often takes place outside Hollywood, or other major studio systems.
An independent film or indie film is a film initially produced without financing or distribution from a major film studio.
Creative, business and technological reasons have all contributed to the growth of the indie film scene in the late 20th and early 21st century.
On the business side, the costs of big-budget studio films also lead to conservative choices in cast and crew. There is a trend in Hollywood towards co-financing over two-thirds of the films put out by Warner Bros.
Also, the studios rarely produce films with unknown actors, particularly in lead roles. Before the advent of digital alternatives, the cost of professional film equipment and stock was also a hurdle to being able to produce, direct, or star in a traditional studio film.
But the advent of consumer camcorders in , and more importantly, the arrival of high-resolution digital video in the early s, have lowered the technology barrier to film production significantly.
Both production and post-production costs have been significantly lowered; in the s, the hardware and software for post-production can be installed in a commodity-based personal computer.
Technologies such as DVDs , FireWire connections and a wide variety of professional and consumer-grade video editing software make film-making relatively affordable.
Since the introduction of digital video DV technology, the means of production have become more democratized. Filmmakers can conceivably shoot a film with a digital video camera and edit the film, create and edit the sound and music, and mix the final cut on a high-end home computer.
However, while the means of production may be democratized, financing, distribution, and marketing remain difficult to accomplish outside the traditional system.
Most independent filmmakers rely on film festivals to get their films noticed and sold for distribution. The arrival of internet-based video websites such as YouTube and Veoh has further changed the filmmaking landscape, enabling indie filmmakers to make their films available to the public.
An open content film is much like an independent film, but it is produced through open collaborations; its source material is available under a license which is permissive enough to allow other parties to create fan fiction or derivative works, than a traditional copyright.
Like independent filmmaking, open source filmmaking takes place outside Hollywood, or other major studio systems. A fan film is a film or video inspired by a film, television program , comic book or a similar source, created by fans rather than by the source's copyright holders or creators.
Fan filmmakers have traditionally been amateurs , but some of the most notable films have actually been produced by professional filmmakers as film school class projects or as demonstration reels.
Fan films vary tremendously in length, from short faux-teaser trailers for non-existent motion pictures to rarer full-length motion pictures.
Film distribution is the process through which a film is made available for viewing by an audience. This is normally the task of a professional film distributor , who would determine the marketing strategy of the film, the media by which a film is to be exhibited or made available for viewing, and may set the release date and other matters.
The film may be exhibited directly to the public either through a movie theater historically the main way films were distributed or television for personal home viewing including on DVD-Video or Blu-ray Disc , video-on-demand , online downloading , television programs through broadcast syndication etc.
Other ways of distributing a film include rental or personal purchase of the film in a variety of media and formats, such as VHS tape or DVD , or Internet downloading or streaming using a computer.
Animation is a technique in which each frame of a film is produced individually, whether generated as a computer graphic, or by photographing a drawn image, or by repeatedly making small changes to a model unit see claymation and stop motion , and then photographing the result with a special animation camera.
When the frames are strung together and the resulting film is viewed at a speed of 16 or more frames per second, there is an illusion of continuous movement due to the phi phenomenon.
Generating such a film is very labor-intensive and tedious, though the development of computer animation has greatly sped up the process. Because animation is very time-consuming and often very expensive to produce, the majority of animation for TV and films comes from professional animation studios.
However, the field of independent animation has existed at least since the s, with animation being produced by independent studios and sometimes by a single person.
Several independent animation producers have gone on to enter the professional animation industry. Limited animation is a way of increasing production and decreasing costs of animation by using "short cuts" in the animation process.
This method was pioneered by UPA and popularized by Hanna-Barbera in the United States , and by Osamu Tezuka in Japan , and adapted by other studios as cartoons moved from movie theaters to television.
Camera-less animation, made famous by film-makers like Norman McLaren , Len Lye , and Stan Brakhage , is painted and drawn directly onto pieces of film, and then run through a projector.
From Wikipedia, the free encyclopedia. Sequence of images that give the impression of movement, stored on film stock.
For other uses, see Film disambiguation , Movie disambiguation , and Moving picture disambiguation. This article needs additional citations for verification.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
Cinematography Principal photography Videography Shooting script Film inventory report Daily call sheet Production report Daily production report Daily progress report Daily editor log Sound report Cost report.
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What to watch Read more. The greatest movies of all time By Robbie Collin. May the fourth: 67 Star Wars characters, ranked from worst to best.Film verpasst? Kein Problem. Schau aktuelle Filme kostenlos in der ZDF Mediathek! Film-Highlights, Komödien und mehr. Das volle Programm jederzeit online. Videos zu Alle Filme | ARD Mediathek. Was läuft aktuell im Kino? Rezensionen und Empfehlungen zu Kino-Filmen, Interviews und Reportagen aus der Welt des Films bei ZEIT ONLINE. Mailadresse bereits bekannt, bitte mit bestehendem Account einloggen und Kinderprofil anlegen Diese E-Mail-Adresse scheint nicht korrekt zu sein — sie muss ein beinhalten und eine existierende Domain z. Film - kinokino. Was Film diesjährigen Festival anders ist, erzählt die neue Leiterin Svenja Böttger. Das Mädchen Rosemarie Ganzer Film Youtube Jahre stieg die weltweite Spielfilmproduktion im Vergleich zu um 7,8 Prozent auf Filme an. Hier kannst du mehr erfahren und hier widersprechen. Bitte überprüfe Wolke 9 Ganzer Film Angaben. Bei der Passwort-Anfrage hat etwas nicht funktioniert. Indianerjunge Yakari und sein tierischer Begleiter Film Donner bekommen nach der Fernsehserie nun ihr erstes Kinoabenteuer. Starkes Drama Song For A Raggy Boy Deutsch eine todkranke Teenagerin, die sich in den falschen Jungen verliebt, dadurch aber neuen Lebenswillen erhält. Alle Inhalte auf Ihrer Merkliste sind noch mindestens 3 Tage verfügbar.